

His scattershot approach at taking on everyone and everything gets a wee tiresome after a while. But in the time-honored manner of mature work, it showcases a phenomenally gifted musician and lyricist doing all the things he does best. His verses sound lazy and unfocused… Nevertheless, “Encore” does prove one thing: that even half-trying, Eminem is still better than most of the rappers beside him with plenty of personality to spare.Įncore isn’t as astonishing as The Marshall Mathers LP. With Encore, Eminem rediscovers his sense of play and lets it run naked and screaming across the stage. The standard is so consistently high, sides so conclusively split, even after six years’ familiarity with his schtick, that genius is the word. Some comments might seem a little harsh, however that’s what critics do.ġ00 :: Village Voice (Consumer Guide) about Encore:įunny, catchy, clever, and irreverent past his allotted time. If a critic didn’t indicate a score, we assigned a score based on the general impression given by the text of the review. Eminem Encore Album Cover Critics about EncoreĪll critic scores are converted to a 100-point scale. Encore is the album of a true artist, in his prime, creating quality music. Hands down, Encore is, in comparison to much of the disposable pop and hip-hop products on record store shelves, several steps above. Eminem fans will definitely appreciate it and gladly add Encore to their collection. On the whole, Encore doesn’t reach the level of inspiration of The Slim Shady LP or the Marshall Mathers LP, but is still a good buy for your buck. None of this, of course, is going to revolutionize wither pop or hip-hop music the way some of his old albums have, or even give it a much needed fresh shot of creative energy.

Like the synthesized Indian music riffs over the trance-like rhythm of “Ass Like That.” Or the hyper-speed sample of an old Heart song on “Crazy On You.” Encore also includes cameo appearances by 50 Cent, Obie Trice, Nate Dogg, and D-12.
ENCORE EMINEM SONGS FULL
His fourth studio album, Encore is full of tasty production touches. “When am I gonna come to my good senses? / probably the day Bush comes to my defenses.”Īnd these are just a few lines from the Encore, the rest (with a few exceptions) are just as good. He’s more than happy to pop his own bubble, as in “Big Weenie” : “I was going to say something extremely important / but I forgot who or what it was / it’s like I’m kidding again.”Īs he raps on “Rain Man”: “You find me offensive? / I find you offensive / for findin’ me offensive…’cause it’s getting expensive / being on the other side of the courtroom on the defensive.” Then he goes on to mock homophobia, going on the offensive against those who might be offended. “No matter what color a girl is / she still has a soul,” he notes. He raps: “follow the yellow brick road / as we go on another episode / journey with me as I take you to the sniffy little place / that I once used to call home sweet home.” Within a stream of consciousness profusion of rhymes, he criticizes himself for insulting a black schoolmate. “Yellow Brick Road” (number 4 track on the Encore) is Eminem at his most introspective and self-critical. Having that said, I’m still looking forward to hearing more from our good old Slim Shady, but until then – Encore will do just fine. Not many dare to do that so he’s got my respect for it. While some might argue that he went soft, I think it’s quite brave of him to somewhat change the record and his old style that so far proved to be a huge success. Most importantly, Encore shows him to be at top form, still sounding like he’s striving to create his best work. The rhymes are crisp, the grooves are deep and infectious, the sound of album is very much today - if he’s not imagining a completely new course, he’s definitely looking forward.

Yet while Encore is not a fresh new direction, it is Eminem at his prime.
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Im guessing, if it bothered you you wouldn’t be on this site to begin with, so just go ahead and buy your copy of Encore 🙂
ENCORE EMINEM SONGS PLUS
If profanity bothers you, don’t listen to Encore (there is a “clean” version of the album, however thats pretty pointless as music loses much of it’s meaning this way, plus if you have to buy a censored version, I’m guessing you don’t like Eminem anyway). True to form, Eminem skewers Michael Jackson on the album’s “Just Lose It, ” and follows up with a humorous jab at Jackson in cuts sprinkled through the album.Īnd he is, as always, wildly irreverent. This is the Eminem you either love or distinctly dislike, the virtuoso of the street rhyme, still willing to be wickedly offensive. If you press play on Eminem’s Encore looking for a bold new direction, you won’t hear it.
